Adonis is educated by the Naiads. His beauty makes a strong impression on the Goddess Venus, and, in her passion, she traverses the same wilds in pursuit of the youth, which his mother did, when flying from the wrath of her father. After chasing the wild beasts, she invites Adonis to a poplar shade, where she warns him of his danger in hunting lions, wild boars, and such formidable animals. On this occasion, too, she relates the adventures of Hippomenes and Atalanta. The beauty of the latter was such, that her charms daily attracted crowds of suitors. Having consulted the oracle, whether she shall marry, she is answered that a husband will certainly prove her destruction. On this, to avoid marrying, she makes it a rule to offer to run with her suitors, promising that she herself will be the prize of the victor, but only on condition that immediate death shall be the fate of those who are vanquished by her. As she excels in running, her design succeeds, and several suitors die in the attempt to win her. Hippomenes, smitten with her charms, is not daunted at their ill success; but boldly enters the lists, after imploring the aid of Venus. Atalanta is struck with his beauty, and is much embarrassed, whether she shall yield to the charms of the youth, or to the dissuasions of the oracle. Hippomenes attracts her attention in the race, by throwing down some golden apples which Venus has given him, and then, reaching the goal before her, he carries off the reward of victory. Venus, to punish his subsequent ingratitude towards her, raises his desires to such a pitch, that he incurs the resentment of Cybele, by defiling her shrine with the embraces of his mistress; on which they are both transformed into lions, and thenceforth draw the chariot of the Goddess.

“Winged time glides on insensibly and deceives us; and there is nothing more fleeting than years. He, born of his own sister and of his grandfather, who, so lately enclosed in a tree, was so lately born, and but just now a most beauteous infant, is now a youth, now a man, and now more beauteous than he was before. And now he pleases even Venus,52 and revenges the flames of his mother, kindled by her. For, while the boy that wears the quiver is giving kisses to his mother, he unconsciously grazes her breast with a protruding arrow. The Goddess, wounded, pushed away her son with her hand. The wound was inflicted more deeply than it seemed to be, and at first had deceived even herself. Charmed with the beauty of the youth, she does not now care for the Cytherian shores, nor does she revisit Paphos, surrounded with the deep sea, and Cnidos,53 abounding in fish, or Amathus, rich in metals.

“She abandons even the skies; him she ever attends; and she who has been always accustomed to indulge in the shade, and to improve her beauty, by taking care of it, wanders over the tops of mountains, through the woods, and over bushy rocks, bare to the knee and with her robes tucked up after the manner of Diana, and she cheers on the dogs, and hunts animals that are harmless prey, either the fleet hares, or the stag with its lofty horns, or the hinds; she keeps afar from the fierce boars, and avoids the ravening wolves, and the bears armed with claws, and the lions glutted with the slaughter of the herds. Thee, too, Adonis, she counsels to fear them, if she can aught avail by advising thee. And she says, “Be brave against those animals that fly; boldness is not safe against those that are bold. Forbear, youth, to be rash at my hazard, and attack not the wild beasts to which nature has granted arms, lest thy thirst for glory should cost me dear. Neither thy age, nor thy beauty, nor other things which have made an impression on Venus, make any impression on lions and bristly boars, and the eyes and the tempers of wild beasts. The fierce boars carry lightning54 in their curving tusks; there is rage and fury unlimited in the tawny lions; and the whole race is odious to me.”

“Upon his asking, what is the reason, she says, ‘I will tell thee, and thou wilt be surprised at the prodigious result of a fault long since committed. But this toil to which I am unaccustomed has now fatigued me, and see! a convenient poplar invites us, by its shade, and the turf furnishes a couch. Here I am desirous to repose myself, together with thee;’ and forthwith she rests herself on the ground, and presses at once the grass and himself. And with her neck reclining on the bosom of the youth, smiling, she thus says, and she mingles kisses in the midst of her words:—

“Perhaps thou mayst have heard how a certain damsel excelled the swiftest men in the contest of speed. That report was no idle tale; for she did excel them. Nor couldst thou have said, whether she was more distinguished in the merit of her swiftness, or in the excellence of her beauty. Upon her consulting the oracle about a husband, the God said to her, ‘Thou hast no need, Atalanta, of a husband; avoid obtaining a husband. And yet thou wilt not avoid it, and, while still living, thou wilt lose thyself.’ Alarmed with the response of the God, she lives a single life in the shady woods, and determinedly repulses the pressing multitude of her suitors with these conditions. ‘I am not,’ says she, ‘to be gained, unless first surpassed in speed. Engage with me in running. Both a wife and a wedding shall be given as the reward of the swift; death shall be the recompense of the slow. Let that be the condition of the contest.’ She, indeed, was cruel in this proposal; but (so great is the power of beauty) a rash multitude of suitors agreed to these terms. Hippomenes had sat, as a spectator, of this unreasonable race, and said, ‘Is a wife sought by any one, amid dangers so great?’ And thus he condemned the excessive ardour of the youths. But when he beheld her face, and her body with her clothes laid aside, such as mine is, or such as thine would be, Adonis, if thou wast to become a woman, he was astonished, and raising his hands, he said, ‘Pardon me, ye whom I was just now censuring; the reward which you contended for was not yet known to me.’

“In commending her, he kindles the flame, and wishes that none of the young men may run more swiftly than she, and, in his envy, is apprehensive of it. ‘But why,’ says he, ‘is my chance in this contest left untried? The Divinity himself assists the daring.’ While Hippomenes is pondering such things within himself, the virgin flies with winged pace. Although she appears to the Aonian youth to go no less swiftly than the Scythian arrow, he admires her still more in her beauty, and the very speed makes her beauteous. The breeze that meets her bears back her pinions on her swift feet, and her hair is thrown over her ivory shoulders and the leggings which are below her knees with their variegated border, and upon her virgin whiteness her body has contracted a blush; no otherwise than as when purple hangings55 over a whitened hall tint it with a shade of a similar colour. While the stranger is observing these things, the last course is run,56 and the victorious Atalanta is adorned with a festive crown. The vanquished utter sighs, and pay the penalty, according to the stipulation. Still, not awed by the end of these young men, he stands up in the midst; and fixing his eyes on the maiden, he says, ‘Why dost thou seek an easy victory by conquering the inactive? Contend now with me. If fortune shall render me victorious, thou wilt not take it ill to be conquered by one so illustrious. For my father was Megareus, Onchestius his;57 Neptune was his grandsire; I am the great grandson of the king of the waves. Nor is my merit inferior to my extraction. Or if I shall be conquered, in the conquest of Hippomenes thou wilt have a great and honourable name.’

“As he utters such words as these, the daughter of Schœneus regards him with a benign countenance, and is in doubt whether she shall wish to be overcome or to conquer; and thus she says: ‘What Deity, a foe to the beauteous, wishes to undo this youth? and commands him, at the risk of a life so dear, to seek this alliance? In my own opinion, I am not of so great value. Nor yet am I moved by his beauty. Still, by this, too, I could be moved. But, ’tis because he is still a boy; ’tis not himself that affects me, but his age. And is it not, too, because he has courage and a mind undismayed by death? And is it not, besides, because he is reckoned fourth in descent from the monarch of the sea? And is it not, because he loves me, and thinks a marriage with me of so much worth as to perish for it, if cruel fortune should deny me to him? Stranger, while still thou mayst, begone, and abandon an alliance stained with blood. A match with me is cruelly hazardous. No woman will be unwilling to be married to thee; and thou mayst be desired even by a prudent maid. But why have I any concern for thee, when so many have already perished? Let him look to it; and let him die, since he is not warned by the fate of so many of my wooers, and is impelled onwards to weariness of life.

“‘Shall he then die because he was desirous with me to live? And shall he suffer an undeserved death, the reward of his love? My victory will not be able to support the odium of the deed. But it is no fault of mine. I wish thou wouldst desist! or since thou art thus mad, would that thou wast more fleet than I! But what a feminine look58 there is in his youthful face! Ah, wretched Hippomenes, I would that I had not been seen by thee! Thou wast worthy to have lived! And if I had been more fortunate; and if the vexatious Divinities had not denied me the blessings of marriage, thou wast one with whom I could have shared my bed.’ Thus she said; and as one inexperienced, and smitten by Cupid for the first time, not knowing what she is doing, she is in love, and yet does not know that she is in love.

“And now, both the people and her father, demanded the usual race, when Hippomenes, the descendant of Neptune, invoked me with anxious voice; ‘I entreat that Cytherea may favour my undertaking, and aid the passion that she has inspired in me.’ The breeze, not envious, wafted to me this tender prayer; I was moved, I confess it; nor was any long delay made in giving aid. There is a field, the natives call it by name the Tamasenian field,59 the choicest spot in the Cyprian land; this the elders of former days consecrated to me, and ordered to be added as an endowment for my temple. In the middle of this field a tree flourishes, with yellow foliage, and with branches tinkling with yellow gold. Hence, by chance as I was coming, I carried three golden apples, that I had plucked, in my hand; and being visible to none but him, I approached Hippomenes, and I showed him what was to be the use of them. The trumpets have now given the signal, when each of them darts precipitately from the starting place, and skims the surface of the sand with nimble feet. You might have thought them able to pace the sea with dry feet, and to run along the ears of white standing corn while erect. The shouts and the applause of the populace give courage to the youth, and the words of those who exclaim, ‘Now, now, Hippomenes, is the moment to speed onward! make haste. Now use all thy strength! Away with delay! thou shalt be conqueror.’ It is doubtful whether the Megarean hero, or the virgin daughter of Schœneus rejoiced the most at these sayings. O how often when she could have passed by him, did she slacken her speed, and then unwillingly left behind the features that long she had gazed upon.

“A parched panting is coming from his faint mouth, and the goal is still a great way off. Then, at length, the descendant of Neptune throws one of the three products of the tree. The virgin is amazed, and from a desire for the shining fruit, she turns from her course, and picks up the rolling gold. Hippomenes passes her. The theatres ring60 with applause. She makes amends for her delay, and the time that she has lost, with a swift pace, and again she leaves the youth behind. And, retarded by the throwing of a second apple, again she overtakes the young man, and passes by him. The last part of the race now remained. ‘And now,’ said he, ‘O Goddess, giver of this present, aid me;’ and then with youthful might, he threw the shining gold, in an oblique direction, on one side of the plain, in order that she might return the more slowly. The maiden seemed to be in doubt, whether she should fetch it; I forced her to take it up, and added weight to the apple, when she had taken it up, and I impeded her, both by the heaviness of the burden, and the delay in reaching it. And that my narrative may not be more tedious than that race, the virgin was outrun, and the conqueror obtained the prize.

“And was I not, Adonis, deserving that he should return thanks to me, and the tribute of frankincense? but, in his ingratitude, he gave me neither thanks nor frankincense. I was thrown into a sudden passion; and provoked at being slighted, I provided by making an example, that I should not be despised in future times, and I aroused myself against them both. They were passing by a temple, concealed within a shady wood, which the famous Echion had formerly built for the Mother of the Gods, according to his vow; and the length of their journey moved them to take rest there. There, an unseasonable desire of caressing his wife seized Hippomenes, excited by my agency. Near the temple was a recess, with but little light, like a cave, covered with native pumice stone, one sacred from ancient religious observance; where the priest had conveyed many a wooden image of the ancient Gods. This he entered, and he defiled the sanctuary by a forbidden crime. The sacred images turned away their eyes, and the Mother of the Gods, crowned with turrets,61 was in doubt whether she should plunge these guilty ones in the Stygian stream. That seemed too light a punishment. Wherefore yellow manes cover their necks so lately smooth; their fingers are bent into claws, of their shoulders are made fore-legs;62 their whole weight passes into their breasts. The surface of the sand is swept by their tails.63 Their look has anger in it; instead of words they utter growls; instead of chambers they haunt the woods; and dreadful to others, as lions, they champ the bits of Cybele with subdued jaws. Do thou, beloved by me, avoid these, and together with these, all kinds of wild beasts which turn not their backs in flight, but their breasts to the fight; lest thy courage should be fatal to us both.”

Footnotes:

52. Pleases even Venus.]—Ver. 524. According to Apollodorus, Venus had caused Myrrha to imbibe her infamous passion, because she had treated the worship of that Goddess with contempt.
53. Cnidos.]—Ver. 531. This was a city of Caria, situate on a promontory. Strangers resorted thither, to behold a statue of Venus there, which was made by Praxiteles.

54. Carry lightning.]—Ver. 551. The lightning shock seems to be attributed to the wild boar, from the vehemence with which he strikes down every impediment in his way.

55. Purple hangings.]—Ver. 595. Curtains, or hangings, called ‘aulæa,’ were used by the ancients to ornament their halls, sitting rooms, and bed chambers. In private houses they were also sometimes hung as coverings over doors, and in the interior, as substitutes for them. In the palace of the Roman emperors, a slave, called ‘velarius,’ was posted at each of the principal doors, to raise the curtain when any one passed through. Window curtains were also used by the Romans, while they were employed in the temples, to veil the statue of the Divinity. Ovid here speaks of them as being of purple colour; while Lucretius mentions them as being of yellow, red, and rusty hue.

56. Last course is run.]—Ver. 597. Among the Romans, the race consisted of seven rounds of the Circus, or rather circuits of the ‘spina,’ or wall, in the midst of it, at each end of which was the ‘meta,’ or goal. Livy and Dio Cassius speak of seven conical balls, resembling eggs, which were called ‘ova,’ and were placed upon the ‘spina.’ Their use was to enable the spectators to count the number of rounds which had been run, for which reason they were seven in number; and as each round was run, one of the ‘ova’ was put up, or, according to Varro, taken down. The form of the egg was adopted in honour of Castor and Pollux, who were said to have been produced from eggs. The words ‘novissima meta’ here mean either ‘the last part of the course,’ or, possibly, ‘the last time round the course.’

57. Onchestius his.]—Ver. 605. But Hyginus says that Neptune was the father of Megareus, or Macareus, as the Scholiast of Sophocles calls him. Neptune being the father of Onchestius, Hippomenes was the fourth from Neptune, inclusively. Onchestius founded a city of that name in Bœotia, in honour of Neptune, who had a temple there; in the time of Pausanias the place was in ruins. That author tells us that Megareus aided Nisus against Minos, and was slain in that war.

58. A feminine look.]—Ver. 631. Clarke renders this line— ‘But what a lady-like countenance there is in his boyish face!’

59. Tamasenian field.]—Ver. 644. Tamasis, or Tamaseus, is mentioned by Pliny as a city of Cyprus.

60. The theatres ring.]—Ver. 668. ‘Spectacula’ may mean either the seats, or benches, on which the spectators sat, or an amphitheatre. The former is most probably the meaning in the present instance.

61. Crowned with turrets.]—Ver. 696. Cybele, the Goddess of the Earth, was usually represented as crowned with turrets, and drawn in a chariot by lions.

62. Are made fore-legs.]—Ver. 700. ‘Armus’ is generally the shoulder of a brute; while ‘humerus’ is that of a man. ‘Armus’ is sometimes used to signify the human shoulder.

63. By their tails.]—Ver. 701. Pliny the Elder remarks that the temper of the lion is signified by his tail, in the same way as that of the horse by his ears. When in motion, it shows that he is angry; when quiet, that he is in a good temper.